Acoustic design
The room acoustic design was carefully integrated into the striking internal architecture, providing a harmonious balance between the visual, aural and technical requirements. A wide array of unobtrusive and future-proofed lighting and sound systems were integrated into the auditorium for greater flexibility.
Two orchestra pit lifts allow for flexible orchestral and seating configurations for musicals or opera, and have variable acoustic surfaces incorporated into the finishes of the pit interior. A combination of counterweight and centrally-controlled motorised bars and hoists provides a robust and adaptable stage engineering infrastructure.
Optimising sight lines
In order to optimise sight lines inside the auditorium, the distance between the levels had to be minimised. This was achieved by inclining the rear wall of the auditorium outwards, using slender balcony cantilevering tier structures and minimised floor-to-floor heights between the slabs in the foyer. This was made possible by achieving an integrated structural and services zone of only 450mm.
The front of house canopy accommodates a large inclined light well and open terrace without contact with the façade below.