The individual projects have all been designed to enable future developments in line with the Southbank Centre’s long term vision to deliver a larger and more ambitious arts, educational and cultural programme across the site for all its visitors to enjoy, and to match the standards offered by the nearby Royal Festival Hall.; The individual projects have all been designed to enable future developments in line with the Southbank Centre’s long term vision to deliver a larger and more ambitious arts, educational and cultural programme across the site for all its visitors to enjoy, and to match the standards offered by the nearby Royal Festival Hall.;

Southbank Festival Wing, London

Transforming the Festival Wing into a cultural centre fit for the 21st Century

The Southbank Centre is rejuvenating its Festival Wing to upgrade the stages, galleries and back-stage areas, to improve access and enable a wider remit of event programmes. The Festival Wing's Hayward Gallery is the first aspect of the project to be completed. The Queen Elizabeth Hall and Purcell Rooms will open later this year.

The individual renovation projects at the Festival Wing have been designed to enable future developments in line with the Southbank Centre’s long term vision.

Arup was appointed as the engineers for the Southbank Centre back in 1967. Our original data and drawings negated the need for further site investigations, to continually offer the best management of the world famous arts venue.

As the separate building projects slot into and overhang each other, careful sequencing and interventions were necessary to avoid wasted time on site. From the outset, our project management and structural engineering teams worked to build open communication with external teams. This coordination between the architects, services engineers and our structural engineers is continuing to help keep repair works to a minimum.

Project Summary


3 venues renovated to 21st century standards

14,000m²Gross Internal Area of performance space

BIM Level 2standard

Restoring a Henry Moore design

One key element of the refurbishment at the Hayward Gallery has been to restore the 66 glass pyramid rooflights. The original rooflights, based on a concept by sculptor Henry Moore, never worked as intended. Leaks forced the installation of a false ceiling that blocked out natural light, reduced the height of the upper floor galleries, and limited the work that could be shown. The new rooflights correct this design issue by controlling natural light entering the gallery space. In addition, new structural hanging points give artists and curators increased scope for displaying artwork.

One key element of the refurbishment at the Hayward Gallery has been to restore the 66 glass pyramid rooflights in order to let controlled natural lighting into the upper galleries for the first time. One key element of the refurbishment at the Hayward Gallery has been to restore the 66 glass pyramid rooflights in order to let controlled natural lighting into the upper galleries for the first time.

The rooflights have been transformed into a chromatic clock by the artist David Batchelor. Sixty Minute Spectrum moves gradually through the visible spectrum every 60 minutes.

Creating new spaces

The Festival Wing project is also reclaiming underused space to create a new bar and entrance. Unnecessary partitions have been removed and new connections between the external walkways and the interior spaces are being created. New openings in the reinforced concrete walls will draw in natural light and allow better access from Queen's Walk.

Bringing light to the foyer

The foyer space to the Queen Elizabeth Hall and Purcell Room was dark and unwelcoming. In collaboration with architects Feilden Clegg Bradley we are refreshing the entrance, creating a bright clean space. By replacing some of the structural concrete exterior walls at the south west corner with glazing, natural light will flood the foyer. New steel posts have been carefully coordinated with the glazing system, restoring the vertical load path by supporting the remaining portion of the wall. Once finished, the foyer will include a new bar and improved disabled access to the auditoria.

The individual projects have all been designed to enable future developments in line with the Southbank Centre’s long term vision to deliver a larger and more ambitious arts, educational and cultural programme across the site for all its visitors to enjoy, and to match the standards offered by the nearby Royal Festival Hall. The individual projects have all been designed to enable future developments in line with the Southbank Centre’s long term vision to deliver a larger and more ambitious arts, educational and cultural programme across the site for all its visitors to enjoy, and to match the standards offered by the nearby Royal Festival Hall.

The renovations have respected the celebrated exposed concrete structure of the Hayward Gallery 50 years after it opened in 1968.